Design of the Graduate School of Design's Fall 2021 and Spring 2022 Public Programs material. The ambitious constellation of informational material orbited around each season's printed poster. An interview about the process can be found here.

Design consultation for the institutional equality initiative. The website works to standards set by the W3C that consider reading aid devices, the colorblindness spectrum, and a highly legible typographic system that is not entirely un-stylized, and does not portend conceptual neutrality. Choices for the typography system nod to historically marginalized presences in that discipline: Margaret Calvert and Jock Kinneir, Carol Twombly after William Caslon, and Tré Seals after W.E.B. Du Bois. For it's first annual Data Study, MMF collected quantitative data about workplace equity and organizational culture in US art museums in late 2022. The study uses secure multi-party computation to protect user privacy while providing aggregate analyses. The goal of the study is to create a field-wide view of trends and patterns in art museum workplaces and to provide benchmarks for participating museums. museumsmovingforward.com, 2022. A feature in the Los Angeles Times about this work. More press: Artforum, ARTnews, The Art Newspaper.

metabolicstudio.org, 2017. An ultra-flexible container for the past and present activities of artist Lauren Bon, devised over two years in cooperation with then curator-in-residence Charlotte Cotton and the Annenberg Foundation. The website serves two functions: first, to transparently map the complex constellation of its environmental research and activism. Second, to allow the studio to archive in its native editorial language. The capability to simply and clearly organize any of this material into web and PDF portfolios was devised, with a curious, proactive user in mind.

Consultation and remote production support for two years of the Tasweer photography festival. With the COVID-19 pandemic sidelining most on-site staff, implentation and additional generation of visual material (created first by 2×4) ensured that contextual information such as press releases, physical wayfinding, and up-to-the-minute safety/access information was available to visitors. Completed with artistic director Charlotte Cotton, exhibitions director Sinem Yoruk, and fellow consultant Sara Alafifi.

How do you facilitate access to a canonized archive, without simply pantomining its formal methodology? Generosity towards which content is culled, and, a content management system that is intuitive for a rotating, diverse cast of supporters to use. Co-edited continually during the tenure of director Sarah Lorenzen (2008-2020), with special thanks to David Hartwell for allowing access to his documentary photography of the house.

The Vitra Workspace houses a comprehensive overview of Vitra's furniture for offices and public spaces, and is a dynamic planning and learning tool for these environments. The space occupies the second floor of a factory building designed by Frank Gehry in 1989, which is located between the Vitra Design Museum, a factory, the VitraHaus and the Citizen Office. In location and in concept the Workspace is a nexus that connects intellectual ideas about design with practical office solutions, and the informality of the home and public sphere with the demands of the office. Several installations, including a revolving billboard of life-size photos of Vitra-furnished offices, a factory view with a scrolling LED text that explains the processes on view, two seating bars, a reference library and a materials library, provoke curiosity and a deeper understanding of issues of the contemporary office and of Vitra's unique culture. The space was designed in collaboration with the London based architect Pernilla Ohstedt and the industrial designer Jonathan Olivares.