Harvard GSDcase study,
Bernd Kuchenbeiser Projekte,
15 Orient,
Museums Moving Forwardcase study,
Metabolic Studiocase study,
Qatar Museumscase study,
Vitra (printed matter),
Neutra VDLcase study,
Felix Zeitler Architektur,
Aperture,
Knoll,
PPP editions,
USC Roski School of Fine Arts,
Venice Family Clinic, The Walt Disney Company,
Vitra Workspacecase study,
The Office of Jonathan Olivares, MOCA LA,
Pictura Dordrecht,
onestar press,
Galleria Gentili,
Central, Great Bowery,
Thomas Duncan Gallery,
TOLO architecture, Printed Matter, Emperor Jones Records, Galerie Mezzanin,
Motto books, Rhizome,
Cleopatras,
Surpllus Melbourne,
Trevor Paglen studio, Artspace NZ,
John Roberts (Dial Records), Uniqlo,
Free Association, Jem Cohen,
adidas,
The Blow Up Magazine,
Wallspace, MTV,
Logos & Marks
Harvard GSD
Bernd Kuchenbeiser Projekte
15 Orient
A transatlantic typographic identity for the New York gallery. Bespoke wordmark made from English (Monotype) revivals of Bembo (Italian) types.
Museums Moving Forward
Metabolic Studio
Qatar Museums
Vitra (printed matter)
Neutra VDL
Felix Zeitler Architektur
Aperture — “Photography is Magic” by Charlotte Cotton
Knoll
PPP Editions
USC Roski School of Fine Arts
Venice Family Clinic
Vitra Workspace
The Vitra Workspace houses a comprehensive overview of Vitra's furniture for offices and public spaces, and is a dynamic planning and learning tool for these environments. The space occupies the second floor of a factory building designed by Frank Gehry in 1989, which is located between the Vitra Design Museum, a factory, the VitraHaus and the Citizen Office. In location and in concept the Workspace is a nexus that connects intellectual ideas about design with practical office solutions, and the informality of the home and public sphere with the demands of the office. Several installations, including a revolving billboard of life-size photos of Vitra-furnished offices, a factory view with a scrolling LED text that explains the processes on view, two seating bars, a reference library and a materials library, provoke curiosity and a deeper understanding of issues of the contemporary office and of Vitra's unique culture. The space was designed in collaboration with the London based architect Pernilla Ohstedt and the industrial designer Jonathan Olivares.
The Office of Jonathan Olivares
Pictura Dordretcht
Announcement poster, 2016.
onestar Press — Carter Mull et al., Typist
“Consistently skating the line between I and we, Carter Mull’s Typist opens up a space for the artist to act as a producer of his own context. Playing with and blending the formats of artist book and artist monograph, Mull invited individuals and businesses that not only populate his personal and professional networks, but his quotidian routines, to author texts and advertisements through the lens of his own visual poetics. By engaging authors that range from critics and curators to the pizza place by his studio, Mull emphasizes the multiple cultures and economies that inform his work.”—Alex P. Klein.
The book is available to purchase and view in its entierity
here.
Galleria Gentili
Central
Steven Baldi, Thomas Duncan Gallery
TOLO architecture
Motto books
Cleopatras
Surpllus
Trevor Paglen studio
Typographic consultation and design for the artists ongoing "Codenames of the Surveillance State" series.
John Roberts (Dial Records)
Free Association
Identity and book design for the New York publisher's catalogue.
Werner Herzog “As Far As I Could Get”, 2007 (original text 1972) isbn 978-0979612107.
Clement Rosset “Joyful Cruelty: Joyful Cruelty: Toward a Philosophy of the Real”, 2010 (original text 1993) isbn 978-0979612114.
Erica Baum “The Naked Eye”, Kenneth Goldsmith “Excerpts from No.111.2.7.93-10.20.96”, 2009.
Rachel Comey
adidas
The Blow Up Magazine
Wallspace
Logos and Marks
imprint
Black & White LLC
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Tel. +1 323 319 4369
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